Traditionally my work centres around vibrant colors layered within thick clear glass to create visual complexity.
But a change in our studio location and perhaps and even deeper change within me (as reflected in macro form by the Pandemic) served as a catalyst for transformation of my artistic expression.
I began to externalize those vibrant layers, stripping away the glassiness to reveal a nostalgic connection to my ceramic roots.
This return to my origins marked a significant shift in my ongoing creative process, leading to the emergence of a new form that seamlessly blended the ceramic aesthetic with this unconventional approach to glassmaking and conceptual art.